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To the accompaniment of the only extant recording of James Joyce reading from his own work, Donegan uses a clear cellophane hood and a pane of glass to create another of her "face paintings." The performance is intercut with the artist painting over her own image as it appears on a video monitor, complicating the relation between her performance and the ways that technology both records and redefines the artist's work.
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Practisse 1994
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