La Vie devant soi
Madame Rosa lives in a sixth-floor walkup in the Pigalle; she's a retired prostitute, Jewish and an Auschwitz survivor, a foster mom to children of other prostitutes. Momo is the oldest and her favorite, an Algerian lad whom she raises as a Muslim. He asks about his parents; she answers evasively. As she ages and takes fewer children, Momo must do more for her; as money is tight, he tries to earn pennies on the street with a puppet. He's a beautiful man-child, and Madame Rosa makes him promise never to sell himself or become a pimp. A film editor, Nadine, befriends him, and his father appears as well. Madame Rosa reaches her last days in fear of hospitals, and Momo must act.
Fundida: Simone Signoret, Michal Bat-Adam, Gabriel Jabbour, Mohamed Zinet, Costa-Gavras, Nadia Samir, Samy Ben-Youb, Bernard Lajarrige, Geneviève Fontanel, Renata Flores, Elisabeth Margoni, Claude Dauphin, Elio Bencoil
Equipe técnica: Moshé Mizrahi (Director), Romain Gary (Novel), Moshé Mizrahi (Screenplay), Néstor Almendros (Director of Photography), Sophie Coussein (Editor)
Palavra-chave:
La Vie devant soi 1977
multiculturalism
antiracism
french multiculuralism
good old days
mixité sociale
france 80s
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