Don Juan Tenorio
There are nearly three dozen major televised, theatrical and cinematic productions paying homage to this revision of the original tale of Don Juan. Playwright José Zorrilla's work, was first written and published in 1844, and it soon became one of the most popular plays of the 19th Century. Spanish Director Alejando Perla's own 1952 cinematic version is probably the best-known of several films made concerning Zorrilla's take on the exploits of the immortal Don Juan-in just a 15 year period, (starting in 1936). His version stands out because it focuses on why Don Juan Tenorio should repent, after reflecting on a hedonistic life of drinking, followed by his enchantment, seduction and ultimate corruption of the innocent and married women he seduced then callously abandoned all throughout Seville.
Gênero:
Fundida: Enrique Diosdado, María Carmen Díaz de Mendoza, José María Rodero, Carmen Seco, Gaspar Campos, Pablo Álvarez Rubio, Adolfo Marsillach, Pepita C. Velázquez, Amelia de la Torre, Mercedes Albert, Berta Riaza, Rafael Alonso, Gabriel Miranda
Equipe técnica: Alejandro Perla (Director), Alejandro Perla (Writer), Joaquín Rodrigo (Music)
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Don Juan Tenorio 1952
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